HISTOIRE DE LA TELEVISION
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BIBLIOGRAPHIE 

Politique et économie du cinéma - US - Etats-Unis

2. Publications entre 2000 et 2019

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Voir également Politique et économie du cinéma​

• Approches générales / International 

• Etats-Unis 'publications entre 1900 et 1999)

• Europe

• Relations cinéma/télévision

• Vidéocassette, Laserdisc, DVD, Blu-Ray​

• Services audiovisuels à la demande

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• Communication internationale

• Médias et télévision aux Etats-Unis

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2000-2009

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ABEL, R., ALTMAN R., (eds.), The Sounds of Early Cinema, Indiana University Press, 2001.

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ABERDEEN, J.A., The Hollywood Renegades. The Society of Independent  Motion Pictures Producers, Cablestone Entertainment, 2000.

 

AUGROS, J.,  KISTOPANIDOU, K., L'économie du cinéma américain: Histoire d'une industrie culturelle et de ses stratégies, Armand Colin, 2009.

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BAUMAN, S., Hollywood highbrow : from entertainment to art, Princeton University Press, 2007.

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BERNSTEIN, M., Walter Wanger, Hollywood independent, First University of Minnessota, 2000.

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BJORK, U.J. "The U.S. Commerce Department Aids Hollywood Exports, 1921-1933", The Historian, Vol. 62, No. 3 (SPRING 2000), pp. 575-587  (autre version in Proceedings of the American Journalism Historians' Association Conference (Roanoke, Virginia, October 6-8, 1994). Part II.)

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BRUCKS, C., When Hollywood Had a King : The Reign of Lew Wasserman, Who Leveraged Talent into Power and Influence, Random House, 2004.

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CHAN-OLMSTED S., CHA J., OBA G., "An Examination of the Host Country Factors Affecting the Export of U.S. Video Media Goods", Journal of Media Economics , Volume 21, 2008 - Issue 3, pp;191-216.

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CONES, J.W., Dictionary of Film Finance and Distribution: A Guide for Independent Filmmakers, Marquette Books, 2008​

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CORCORAN M., BERSTEIN A., Hollywood on Lake Michigan: 100+ Years of Chicago and the Movies, Chicago Review Press, 2013

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COOK D.A. History of the American Cinema. 9. Lost Illusions : American Cinema in the Shadow of Watergate and Vietnam 1970-1979, University of California Press, 2002.

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COUVARES F.G. (ed.), Movie Censorship and American Culture, University of Massachussets, Press, 2nd edition, 2006.

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CUCCO M "The promise is great: The blockbuster and the Hollywood economy".Media,Culture and Society, 31(2), 2009pp.215–230.

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DANIELS, B., LEEDY D., SILLS, L.D.,  Movie Money: Understanding Hollywood's (Creative) Accounting Practices, 2nd edition revised, Silman-James Press, 2006.

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DE VANY, A., Hollywood Economics: How Extreme Uncertainty Shapes the Film Industry. Routledge, 2004.

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DEUCHERT, E., ADJAMAH K., PAULY F., "For Oscar Glory or Oscar Money ?", Journal of Cultural Economics, Vol. 29, No. 3 (August 2005), pp. 159-176

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DOHERTY, T., Hollywood's Censor. Joseph I. Breen & the Production Code Administration, Columbia University Press, 2007.​

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EINAV, L. "Seasonality in the U.S. motion picture industry",  The Rand Journal of Economics; Spring 2007; 38, 1, pp.127-145.

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EINAV, L., RAVID S.A."Stock market response to changes in movies’ opening dates". Journal of Cultural Economics, 33, (4), 2009, pp. 311-319

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ELBERSE A., ELIASHBERG J., "Demand and supply dynamics for sequentially releasedproducts in international markets: The case of motion pictures", Marketing Science,22 (3), 2003, pp.329-354

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ELIASHBERG J. et al., "Demand-driven scheduling of movies in a multiplex", International Journal of Research in Marketing 26 (2009) pp. 75–88

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ELIASHBERG J., ELBERSE A., LEENDERS M.A.A.M., "The Motion Picture Industry. Critical Issues in Practice, Current Research & New Research Directions", ​Marketing Science 25(6), November 2006, pp. 638-661

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Film Industry Profile of California/Los Angeles County, Economic Information & Research Department Los Angeles County Economic Development Corp.​, 2005.

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GOMERY D., The Hollywood studio system: a history, BFI, 2005.

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GOMERY D., The Coming of Sound, Routledge, 2005.

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GRIEVESON L., Policing Cinema, University of California Press, 2004.

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HAYES D., BING J., Open wide : how Hollywood box office became a national obsession, Hyperion, 2004.

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HORNE, G., Class Struggle in Hollywood 1930-1950 : Moguls, Mobsters, Stars, reds and Trade Unionists, University of Texas Press, 2001.

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JEWELL R.B., The Golden Age of Cinema : 1929-1945, Blackwell, 2007.

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KELLNER, D., Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era, John Wiley & Sons, 2009.

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KEMPER, T., Hidden talent: the emergence of Hollywood agents, University of California Press, 2009

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KITSOPANIDOU, K., L'innovation technologique dans l'industrie cinématographique hollywoodienne. Le cinéma-spectacle des années 1950 : une mise en perspective des stratégies liées à l'Eldophor et au Cinémascope, Thèse de doctorat, Université Paris-III Sorbonne-Nouvelle, 2002.

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LEFF L., SIMMONS J.L., The Dame in the Kimono : Hollywood, Censorship and the Production Code from the 1920s to the 1960s, University Press of Kentucky, 2001.

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LEV P., History of American Cinema 7, The Fifties Transforming the Screen, 1950-1959, University of California Press, 2003.

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LEWIS, J., Hollywood v. Hard Core : How the Struggle over Censorship save the Motion Film Industry, New York University Press, 2002.

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LITWAK, M.,  Risky business : financing & distributing independent films, Silman-James Press, 2004.

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MALTBY, R. Hollywood Cinema, Wiley-Blackwell, 1995; 2nd edition, Wiley-Blackwell, 2003.

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McCARTHY, T., Howard Hawks : the Grey Fox of Hollywood, Grove Press, 2000.

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McDONALD P., The Star System : Hollywood's Production of Popular Identities, Wallflower Press, 2000.

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McDONALD P., WASKO J. (Eds.), The Contemporary Hollywood Film Industry, Blackwell, 2008.

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MILLER T. et al., Global Hollywood 2, BFI, London, 2005

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MINGANT N., Les stratégies d'exportation du cinéma hollywoodien (1966-2004), Thèse de doctorat, Université de Paris-X, 2008.

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MINGANT N., "La Motion Picture Export Association de Jack Valenti (1966-2004), corps diplomatique des majors hollywoodiennes à l'étranger", Revue française d’études américaines 2009/3 (n° 121), pp. 102-114

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MONACO J., History of the American Cinema 8. The sixties, 1960-1969, University of California Press, 2001.

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PARISH, J.R., Fiasco : a history of Hollywood's iconic flops, John Wiley, 2006.

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PECHA L., La censure cinématographique aux Etats-Unis, Dixit, 2000.

 

POKORNY M. and SEDGWICK J., "Stardom and the Profitability of Film Making : Warner Bros in the 1930s", Journal of Cultural Economics, 25, 2001, pp.157-184 .

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PRIGGE , S., Movie Moguls Speak: Interviews with Top Film Producers, McFarland, 2004

 

PRINCE S., History of the American Cinema 10. A New Pot of Gold : Hollywood Under the Electric Rainbow, 1980-1989, University of California Press, 2002.

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QUINN M.J., "Distribution, the Transient Audience, and the Transition to the Feature Film", Cinema Journal, 40, n°2, Winter 2001, pp.35-56.

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Report to the Legislature on the Motion Picture Industry in California, Prepared by The Employment Development Department Workforce Development Branch Labor Market Information Division, June 2005.

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SANCHEZ-RUIZ, E.E., "Hollywood y su hegemonía planetaria: una aproximación histórico-estructural", Revista Universidad de Guadalajara, 2003.

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SCOTT, A., "A New Map of Hollywood: the Production and Distribution of American Motion Pictures", Regional Studies, 2002.

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SEDWICK, G., POKORNY, M., "The film business in the United States and Britain during the 1930s", The Economic History Review, 2005

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SEDGWICK J., POKORNY M., (eds.), An Economic History of Film, Routledge, 2005

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SEGRAVE, K., Foreign Films in America: A History, McFarland, 2004.

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SILVESTER C. (ed.), The Grove Book of Hollywood, Grove Press, 2000.

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SLIDE A., Banned in the USA : British Films in the United States and their censorship, 1933-1960, IB Tauris, 1998.

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SLIDE A., The New Historical Dictionary of the American Film Industry, Routledge, 1998.

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SMOODIN E., ANN, M. (eds.), Hollywood Quarterly: Film Culture in Postwar America, 1945-1957. Berkeley:  University of California,  2002.

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SOLOMON, A., Twentieth Century-Fox: A Corporate and Financial History, Rowman & Littlefield, 2002

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SQUIRE, J. (ed.), The Movie Business Book,  Fireside, 3rd edn. 2003.

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THOMPSON K., Herr Lubitsch Comes to Hollywood. German and American Film after World War I, Amsterdam University Press, 2005.

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TRUMPBOUR, J., Selling Hollywood to the World: US and European Struggles for Mastery of the Global Film Industry, 1920-1950, Cambridge University Press,  2007

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ULFF-MOLLER J.,  Hollywood’s “Film Wars” with France: Film-Trade Diplomacy and the Emergence of a French Film Quota Policy. University of Rochester Press, 2001

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VAUGHN, S., Freedom and entertainment : rating the movies in an age of new media, Cambridge University Press, 2006.

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WASKO, J., How Hollywood Works, Sage, 2003.

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WATERMAN, D., Hollywood's Road to Riches, Harvard University Press,  2009​

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WILINSKY, B., Sure seaters : the emergence of art house cinema, University of Minnesota Press, 2001.

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WYATT, J., "High Concept and Market Research. Movie Making by the Numbers", in TURNER G., (ed.) The Film Cultures Reader, Routledge, 2002, pp.382-389