BIBLIOGRAPHIE
Services audiovisuels à la demande 'VoD, télévision de rattrapage, plates-formes de partage vidéo) (2010-2019)
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Internet et le marché audiovisuel - Approches d'ensemble
GRECE A., LANGE A., SCHNEEBERGER A., VALAIS S., The development of the European market for on-demand audiovisual services. Report of the European Audiovisual Observatory for the European Commission, April 2015
JOHNSON, C., Online TV, Routledge, 2019
JOHNSON D. (ed.), From Networks to Netflix, A Guide to Changing Channels, Routledge, 2018.
KYNCI, R., Steampunks, YouTube and the Rebels Remaking Media, Harper-Business, 2017.
LANGE A.(ed.), 2012 Yearbook, Television, cinema, video and on-demand audiovisual services – the pan-European picture, European Audiovisual Observatory, 2012
LANGE A.(ed.), 2013 Yearbook, Television, cinema, video and on-demand audiovisual services – the pan-European picture, European Audiovisual Observatory, 2013
LANGE A.(ed.), 2014 Yearbook, Television, cinema, video and on-demand audiovisual services – the pan-European picture, European Audiovisual Observatory, 2014
YLINIVA-HOFFMANN, A., MATZNELLER, P., Les nouveaux services et la protection des radiodiffuseurs en droit d’auteur, IRIS Plus 2010-5, Observatoire européen de l'audiovisuel, 2010.
STRANGELOVE, M., Post-TV: Piracy, Cord-Cutting, and the Future of Television, University of Toronto Press, 2015
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Réglementation
AUTORITE DE LA CONCURRENCE, Avis du 21 février 2019 relatif à une demande d’avis de la commission des Affaires culturelles et de l’Éducation de l’Assemblée nationale dans le secteur de l’audiovisuel
BLOUD-REY, C., MENURET, J.-J., Le droit de la régulation audiovisuelle et le numérique, Éditions Larcier, 2016
CABRERA BLAZQUEZ, F.J., Qu’est-ce qu’un service à la demande ? IRIS Plus 2013-4, Observatoire européen de l'audiovisuel, 2013.
CABRERA BLÁZQUEZ F.J., , CAPPELLO, M., VALAIS, S., LEPINARD, A., The protection of minors in a converged media environment, IRIS Plus 2015-1, European Audiovisual Observatory, 2015 (=La protection des mineurs dans un paysage médiatique en pleine convergence, Observatoire européen de l'audiovisuel, 2015).
CABRERA BLÁZQUEZ F.J., , CAPPELLO, M., FONTAINE G., VALAIS, S., On-demand services and the material scope of the AVMSD, IRIS Plus 2016-1, European Audiovisual Observatory, 2016.
CABRERA BLÁZQUEZ, F.J., CAPPELLO, M., GRECE, C., VALAIS,S., VOD, platforms and OTT: which promotion obligations for European works?, IRIS Plus 2016-3:, European Audiovisual Observatory, 2016
CABRERA BLÁZQUEZ, F.J., CAPPELLO, M., GRECE, C. VALAIS, S. Commercial communications in the AVMSD revision, IRIS Plus 2017-2, European Audiovisual Observatory, 2017.
CABRERA BLAZQUEZ F.J., CAPELLO, M., FONTAINE G., RABIE I., VALAIS, S., The legal framework for video-sharing platforms, IRIS plus 2018-1, European Audiovisual Observatory, 2018.
CONSEIL EUROPEEN / CONSEIL DE L'UNION EUROPEENNE, "Services de médias audiovisuels"., 2018
DOCQUIR P.-F.,, HANOT M., Nouveaux écrans, nouvelle régulation ? Primento, 2013
EUROPEAN AUDIOVISUAL OBSERVATORY, AVMS Database
EUROPEAN COMMISSION, Audiovisual Media Services Directive (AVMSD), 2018.
LE DIBERDER A., La nouvelle économie de l'audiovisuel, La Découverte, 2019.
NIKOLTCHEV, S. (dir.), Les aspects juridiques de la vidéo à la demande, IRIS Spécial 2007, Observatoire européen de l'audiovisuel, 2007.
NIKOLTCHEV S. (dir.), La réglementation des services audiovisuels à la demande : chaos ou cohérence ?, IRIS Spécial 2011, Observatoire européen de l'audiovisuel, 2011.
OCHOA, N., Le principe de libre-circulation de l'information - Recherche sur les fondements juridiques d'Internet, HALSHS, 2016
PARLEMENT EUROPEEN, "De nouvelles règles pour les services de médias audiovisuels adoptées par le PE", Communiqué de presse, 02-10-2018
SCHEUER, A. La protection des mineurs et les contenus audiovisuels à la demande, IRIS Plus 2012-6, 2012, Observatoire européen de l'audiovisuel, 2012.
SCHEUER, A.Convergence des médias : des lois différentes pour un même contenu ? IRIS Plus 2013-3, Observatoire européen de l'audiovisuel, 2013.
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Plates-formes de partage vidéo
BURGESS, J. GREEN J., YouTube: Online Video and Participatory Culture, John Wiley & Sons, 2009, 2nd edition 2018.
MILLER, K., Playing Along: Digital Games, YouTube, and Virtual Performance, Oxford University Press, 2012.
Networking images. Approches interdisciplinaires des images en réseau, Théoème, n.17, 2013.
SNICKARS, P., VONDERAU, The YouTube Reader, National Library of Sweden, 2010.
STRANGELOVE, M., Watching YouTube: Extraordinary Videos by Ordinary People, University of Toronto Press, 2010
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Télévision de rattrapage / Impact d'Internet sur la télévision
CNC, Baromètre de la télévision de rattrapage
CNC, Economie de la télévision de rattrapage (annuel depuis 2013)
EVENS, T., DONDERS K., Platform Power and Policy in Transforming Television Markets, Palgrave, 2018.
GUNTER, B., Television Versus the Internet: Will TV Prosper or Perish as the World Moves Online?, Elsevier, 2010
LOTZ A.,D. The Television Will Be Revolutionized, New York University Press, 2007, 2nd edition 2014.
LOTZ A.D., Portals. A Treatise on Internet-Distributed Television, Maize Books, 2016.
WOLK, A., Over the Top, How The Internet Is (Slowly But Surely) Changing The Television Industry, CreateSpace Independent Publishing Platform, 2015.
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Vidéo à la demande (VoD / VàD)
BARKER C., WIATROWSKI, M., The Age of Netflix: Critical Essays on Streaming Media, Digital Delivery and Instant Access, McFarland, 2017
CLARES, J., "The MEDIA Program 2007-2013 and its impact on the development of new technologies. The call for proposals on Pilot ptojects", Proceedings of the 4th International Multi-Conference on Society, Cybernetics, and Informatics (IMSCI 2010), International Institute of Informatics and Systemics, Vol. 2, pp.11-17.
CNC, Observatoire de la vidéo à la demande, annuel
CUNNINGHAM S., SILVER J., Screen Distribution and the New King Kongs of the Online World, Palgrave Pivot, 2013.
CURTIN, M., HOLT J., SANSON K., (eds.) Distribution Revolution: Conversations about the Digital Future of Film and Television, University of California Press, 2014
ENE L., GRECE C., Origin of films in VOD catalogues in the EU, DGCNCT Note 4, produced by the European Audiovisual Observatory on behalf of the European Commission, Strasbourg, 2015
FONTAINE G., The visibility of film on on-demand platforms: Germany, France and the United Kingdom, DGCNCT Note 5, produced by the European Audiovisual Observatory on behalf of the European Commission, Strasbourg, 2015
FONTAINE G., The theatrical – TVOD window A sample analysis, European Audiovisual Observatory, 2019.
FONTAINE G. and SIMONE P. (ed.), The Exploitation of Film Heritage Works in the Digital Era, European Audiovisual Observatory, Strasbourg, 2016
FONTAINE G. and GRECE C., Origin of films and TV content in VOD catalogues in the EU & Visibility of films on VOD services, European Audiovisual Observatory, Strasbourg, November 2016
FONTAINE G. and SIMONE P., The access to film works in the collections of Film Heritage Institutions in the context of education and research, European Audiovisual Observatory, Strasbourg, May 2017
FONTAINE G., The visibility of films and TV content on VOD,, European Audiovisual Observatory, Strasbourg, November 2017
GAUSTAD T., "How streaming services make cinema more important", The Nordic Journal of Media Studies, vol.1, 1, June 2019.
GRECE C. (ed.), How do films circulate on VOD services and in cinemas in the European Union?, European Audiovisual Observatory, Strasbourg, 2016
GRECE C., The circulation of EU non-national films - A sample study: Cinema, television and transactional video on-demand, European Audiovisual Observatory, Strasbourg, November 2017
GRECE C., Trends in the EU SVOD Market, European Audiovisual Observatory, 2017.
IORDANOVA, D., CUNNINGHAM S. (eds.), Digital Disruption: Cinema Moves On-Line, St Andrews Film Studies, 2012.
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Netflix
AMIDON LUSTED, M., Netflix: The Company and Its Founders; ABDO Publishing Company, 1 sept. 2012
ANASTASIA M. et al., Netflix. Revolutionizing the Way We Watch, A Case Study, CreateSpace Independent Publishing Platform, 2014.
BARKER C., WIATROWSKI M. (Eds.), The Age of Netflix. Essays on Streaming Media, Digital Delivery and Instant Access, McFarland, 2017.
BURLING. A., Netflix, Essential Library, ABDO, 2018
COUSIN, C., NETFLIX & Cie - Les coulisses d'une (r)évolution, Armand Colin, 2018.
GREEN S., Netflix, Bellwether Media Inc., 2018
GRINAPOL, C. Reed Hastings and Netflix, The Rosen Publishing Group, Inc, 2013
HOFF T., Netflix. What Happens When You Press Play ?, Possibility Outpost, 2018.
How Netflix Produces Happy Endings, FT Press, 2010
JACKSON A., Netflix®: How Reed Hastings Changed the Way We Watch Movies & TV, Simon and Schuster, 2014
JENNER, M. Netflix and the Re-invention of Television, Palgrave Macmillan, 2018.
KEATING G., Netflixed: The Epic Battle for America's Eyeballs, Portofolio/Penguin, 2012.
LOBATO, R., Netflix Nations: The Geography of Digital Distribution, New York University Press, 2019.
McDONALD, K., SMITH-ROWSEY, D., (eds.), The Netflix Effect: Technology and Entertainment in the 21st Century, Bloomsbury Academic, 2018
NOVER, S., Netflix vs. the World: A Study of Competitive Trends in the Modern American TV Industry, The George Washington University, ProQuest Dissertations Publishing, 2018
ROEBUCK, K., Netflix: High-impact Strategies - What You Need to Know: Definitions, Adoptions, Impact, Benefits, Maturity, Vendors, Lightning Source, 2011
SMITH D., '"Netflix and Chill: Building a Recommendation System in Excel Learn the Machine Learning “Magic” behind the Binge", Towards Data Science, July 5 2018.
Services radiophoniques et services musicaux en ligne
Voir également Industrie musicale
BERRY, R. Will the iPod Kill the Radio Star? Profiling Podcasting as Radio. University of Sunderland, 2006
BERRY, R., "Will the iPod Kill the Radio Star? Profiling Podcasting as Radio", Convergence: The International Journal of Research into New Media Technologies, Vol 12, Issue 2, 2006
Sites web d'actualité et d'analyse
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Stratechery by Ben Thompson
